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Forbidden Love

The short story Dhowli, is a tragic tale about a woman who puts her trust and faith into a love that is forbidden, and how she is ultimately betrayed by that love.  The story demonstrates how some of the choices that she made, and her own selfish pride led to the injustices she received.
Misrilal is a young Brahman who is captivated by a young Dusad widow.  In the Indian culture, the Brahman caste is one of the highest castes, and the Dusads are one of the lowest.  Because of the difference in castes, a relationship between the two is forbidden.  Although Misrilal is aware of this, he nonetheless persists in pursuing Dhowli.
Dhowli is tormented with his proclamations of love and wanton lust.  She has never experienced such feelings of fear.  Fear of the possibility that a Brahman is going to take her virtue, and even more terrifying, the possibility that a Brahman may evoke similar feeling from her.  Even though Dhowli is not permitted to engage in the same traditions the other Dusads do, she still longs for them.  Alas she is a lowly Dusad widow, an untouchable, and she knows deep within her soul that she will never experience any of these glorious things again.  And even as she realizes this, her mind insists that there is a man, a Brahman, standing before her relentlessly proclaiming his love and desire for her. Despite the knowledge that this can not be and against all that she believes, she finds herself surrendering to her own desires.  
This concession leads Dhowli into a whirlwind of love and acceptance that she had never imagined possible.  She constantly reminds herself that this dream cannot be.  No matter how true their love is, it is still a forbidden love.  Misrilal, on the other hand, insists that nothing will tear them apart, and that they will be together despite all odds.  When Dhowli finds out that she is pregnant, she is extremely worried, but Misrilal is overjoyed and reassures her.  Just when she begins to believe in their love, the whirlwind ends.  Misrilal alas cannot stand up to the Misraji order.  Instead, he is only able to persuade his mother not to let Dhowli starve to death.  Dhowli is crushed.  All that she has come to believe has been destroyed.  Misrilal, however, still will not accept that they will not be together.  In his cowardice, or perhaps it was denial, he goes to Dhowli and persuades her that he has not submitted, that in fact, he is simply biding his time until he can get things arranged for them to be together.  
Misrilals family demanded that he go to another village for a month and still he reassures Dhowli that they will be together as soon as he returns.  In the meantime, Dhowli has to not only suffer the knowledge that Misrilal is a coward, but she also has to deal with the fact that she is now an outcast to her own people.  The menfolk plot to make her a whore for their enjoyment, and the women cease to acknowledge her.  Even her own mother blames her for the difficulties that lay ahead and beseeches her to take the medicine that will get rid of the thorn in her womb (Devi 244).  Dhowli refuses to take any such measures.  She can not imagine destroying something that was created through their love.
Thrice the time has passed since Misrilal said he would return, and in the meantime, Dhowli has given birth to a beautiful baby boy.  News of Misrilals impending marriage reaches her.  Her heart is torn and finally the anger and bitterness set in.  She now realizes that Misrilal does not truly love her and he is not coming back for her.  Now she must forget him and concern herself with feeding her baby.
After the wedding, Misrilal returns and Dhowli sends for him.  Dhowli asks with bitterness and regret what Misrilal is planning to do to help her raise the child now that he has ruined her and made her an outcast.  Even now, Misrilal attempts to tell Dhowli that he had loved her and that he was forced to ... more

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Macbeth - The Importance of the Witches

The witches in Macbeth are very important in the plot and develop certain aspects of the play. They make greater the theatrical experience with images of darkness, thunder and lightning that make Macbeth the tragedy it is. Their actions also add to the play, dancing round the cauldron and chanting Double, double. Their appearance as dark hags adds mystery to the play.

The witches also add a sense of evil and of the supernatural. Their chanting, Double, double, toil and trouble: Fire burn and cauldron bubble is rhythmic and has an almost hypnotic quality to it. There is a repetition of the magical word thrice. The fact that there are three witches is emphasised, because in a time where Paganism was feared (three was a magical number in Paganism.), the number three was seen as evil. It was also a magical number because of the holy trinity The ingredients that the witches add to the cauldron are associated with the themes of death: finger of birth-strangled babe.; crime: grease thats sweaten from the murderers gibbet.; evil: Tartars lips.; poison adders fork; and damnation: Liver of blaspheming Jew. These powerful images would have shocked Shakespearean audiences and thus would have thought the witches as overwhelmingly evil. The witches add to this impression of evil by throwing into the flame a murderers gibbet. This shows that Macbeth will have the same fate as a murderer, being thrown into the flames of hell. There are other images of hell in the play. An example is in Act two, Scene three when the porter imagines himself to be the porter of hell-gate when Macduff and Lenox knock on Macbeths castle door. Shakespearean audiences would have recognised this as Jesus knocking on the gates of hell. There is also the supernatural element as the witches call up the evil spirits they serve at line 62. This ties in with other supernatural images in the play, such as when Macbeth sees the floating dagger before him before he murders Duncan. This supernatural image adds to the importance of the witches in the play.

The witches also serve to develop our picture of Macbeth. In line 45, the witches, when they hear Macbeth knocking, say Something wicked this way comes. This is ironic as the witches, who are evil are calling Macbeth evil. This shows that Macbeth is the most evil character in the play. In line fifty and onwards, Macbeth is willing to sacrifice the future of the universe to get his answer, about his future. The prophecies give Macbeth a false sense of security, so the witches have tricked him the charm is fair and good. The fact that the charm is good is heavily ironic as it seals Macbeths fate. However, he continues to plan the murders of Macduff. But yet Ill make assurance double sure. I think this is because he is so insecure. After he sees the vision, he is angry and curses the witches as filthy hags. He is obsessed about Banquo which I think is understandable as he has seen the ghost of Banquo at the banquet. He also unwittingly damns himself by exclaiming and damnd [be] all that trust them because he was the very person who trusted them. However, he could be just covering up his tracks so that Lenox would not suspect that Macbeth was in league with the weird sisters. At line 25, the witches laugh at Macbeth but why stands Macbeth thus amaz?dly? They are mocking him heavily and makes him look pathetic in our eyes. It shows how the witches have power over Macbeth and how Macbeth is a weak king. Macbeth realises that the weird sisters are associated with fate (Wyrd was the Anglo-Saxon word for fate) but he believes that he can change fate. He might believe this because he is king and at that time monarchs believed in the divine rights of kings, whereby kings were chosen to rule by God. This in itself is ironic because of the murdering he has had to do to become king. Therefore it is not possible that God could have chosen Macbeth to be king. Macbeth would not have realised this ... more

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