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the absence of this 8220 8220The question of Being8221 what it is why it matters




Martin Heidegger attempts to answer the question of Being by appealing to the terminology and methodology of Dasein, most commonly defined as existence. Dasein is not simply any kind of existence, however, but an existence that is unique from all other existences in that it asks the question of existence while existing in the existence itself. In other words, one must first understand Dasein in order to understand Being because Dasein is a kind of being that is concerned about its very Being. Contrary to the popular opinion that in order to truly and clearly comprehend any phenomenon, the subject which interrogates must necessarily stand outside of the object of the interrogation, Being cannot be understood from outside of Being. One may then argue that there is no outside of Being, a point to which we shall return later in this paper; therefore, every being is fit to address the the question of Being. Although every being is within Being itself, not every being asks the question of Being; hence Dasein alone can elucidate Being because Dasein is Being for Heidegger. It is a pure expression of Being and thus chosen to designate Being because its essence lies rather in the fact that is has always to be its Being as its own (54). Logically speaking, if the object of which Dasein interrogates is Being, and it accomplishes this task by interrogating itself, a being in Being, then the object of interrogation, Being, is precisely the subject which performs the act of interrogation, Dasein; it follows that Dasein is nothing but Being itself.
Dasein answers the question of Being by disclosing Being through the revealing or unveiling of itself. In Being and Time, Heidegger articulates the way Dasein unveils itself by drawing a distinction between an existentiell and existential understanding of Dasein. By claiming that Dasein always understands itself in terms of its existence, in terms of its possibility to be itself or not to be itself (54), an existentiell understanding of Dasein is to denote the existence of Dasein as either realizing or ignoring its possibilities for being or not-being; an existential understanding of Dasein differs in that it neither realizes nor ignores its existences but inquires into its existence, the being of Dasein, Being itself. It is an existential analysis of Dasein that will reveal Dasein, and ultimately Being.
An existential analysis of Dasein reveals that Dasein tends to understand its own Being in terms of that being to which it is essentially, continually, and most closely relatedthe world (58). That is to say, Dasein is to be found in its average everdayness because it is concealed in the same way that the meaning of Being is concealed. Heidegger maintains that in using the common word is, we no longer know what we mean. The subject-object logic which we use every day conceals the true meaning of what existence really is. Therefore, one must apply this reasoning to Dasein and find the essence of Dasein in the average everydayness by stripping away all that is arbitrary and accidental in the world. One unfolds the true form of average everydayness by identifying the world of Dasein, which is the human world, or more precisely, the soul. Heidegger characterizes Being as the totality of beings. He appeals to Aristotle and Thomas Aquinas to assert the transcendental quality of Being, which requires Being to lie beyond every possible generic determination of a being in its material contentthat are necessary attributes of every something (56). This entails that Being must allow for the coming together of all other beings. Heidegger finds this being in the human soul, the being whose nature it is to meet with all other beings (56). To further determine Dasein as a human-kind of being, one need only to ask the who which asks the question of Being. Man, or more accurately, the human soul is the essence of average everydayness.
In What is Metaphysics, Heidegger locates the uncovering of Dasein in the attunement of anxiety. Through his analysis of anxiety as a state-of-mind that provides the phenomenal basis for explicitly grasping Daseins primordial totality of beings, Being, Heidegger reveals Being ... more

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The Function of Different Settings in H Ibsen8217s A Dolls House and Shakespeare8217s 8220Twelfth Night8221




    The setting comparison and deliberation in this essay is between Henric Ibsen’s “A Doll’s House” and William Shakespeare’s “Twelfth Night”.  “A Doll’s House” deals with the social life and duty, the woman’s proper place and role within the family and the society. “Twelfth Night” is about illusion, deception, disguises, madness, and the extraordinary things that love will cause us to do and to see.
    The plot of the “Twelfth Night” takes place in Illyria, the unreal, fairy-land, the land of illusions and dreams. The beauty and the lighthearted atmosphere of Illyria influence the characters of the play.  Orsino, Duke of Illyria, doesn’t care about his country’s concerns. The only thing that interests him is his love for Olivia, he listens to the music and dreams about her.
When Viola comes to the sea-coast of Illyria, she is also influenced by its special atmosphere. Seeking for adventures, she disguises herself as a young man and falls in love with Orsino. Her actions are not applicable for a woman of the Elizabethan period, who couldn't travel alone, but only with a chaperon.
Woman’s mobility as well as her status and rights were very restricted. The only “way out” for her was
   In “A Doll’s House” Italy symbolizes the good, but false image of Nora’s life and Norway ymbolizes    
the reality. In the first act Nora is seemed to be under total control of her husband. She can do what she wants only in his absence, which points to the similarity in family values and norms in both periods. When she demonstrates a lack of reverence for money, Helmer responds: "Nora, Nora, you are a woman!”. This statement shows his bias when it comes to gender roles. He is the only money-earner and manager in the house and therefore feels superior to her, absolutely ruling her life. Only at the end of the third act the noticeable change in Nora's behavior shows us the emancipation of women in the modern period, the change in their status and rights in the society.
In both plays music is very important. Listening to the songs, Orsino enjoys the situation of being in       love with Olivia. He doesn’t realize that he is “in love with love” and not with her. This is why he needs music. It sustains and calms down his stormy emotions, helps him to overcome the pain of unshared love.
    In “A Doll’s house” the Tarantella symbolizes Nora’s agitation at her struggle with Krogstad and with her husband. The piano with its black and white keys symbolizes the contrasts in the play (between Nora and Mrs. Linden, Nora and Torvald, changing in Nora's behavior between the first and the third acts). Songs, tarantella, piano and the bell rings – all together are designated to brake tension throughout the play.
    The doors are also the very important part of the setting in “A Doll's House”. They make an illusion of the more rooms in the house and give the ides of the "positive” and "negative" issues in the play. Nora enters and exits through the same door. This is a foreshadowing to the end of the third act, where she exits from the house and Torvald’s life through the same door she has entered them before. When she goes to the door of Torvald’s study and listens, it points to the gap in their relationship and to the lack of understanding between them. Dr. Rank also knocks before entering Helmer’s room. The territory of each one in the   house is accurately defined. On the one hand, Torvald locks the door when he confronts Nora, because he wants to keep her forgery in secret and doesn't want it to come out of the house. On the other hand, doors are the ones that keep him away from revealing the secret of Nora’s crime.
    In the “Twelfth Night” Olivia also tries to keep in secret her love for Viola/Cesario by closing the garden’s door [“Let the garden door be shut, and leave me to my hearing.” (Act 3, scene 1)], because of her mourning for recently dead brother and Cesario’s lower status. It wasn’t socially accepted ... more

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  • T: “The Question Of Being”: What It Is, W T: “The Question Of Being”: What It Is, W The Question Of Being: What It Is, Why It Matters. Martin Heidegger attempts to answer the question of Being by appealing to the terminology and methodology of Dasein, most commonly defined as existence. Dasein is not simply any kind of existence, however, but an existence that is unique from all other existences in that it asks the question of existence while existing in the existence itself. In other words, one must first understand Dasein in order to understand Being because Dasein is a k...
  • H: 8220The question of Being8221 what it is why it ma H: 8220The question of Being8221 what it is why it ma 8220The question of Being8221 what it is why it matters Martin Heidegger attempts to answer the question of Being by appealing to the terminology and methodology of Dasein, most commonly defined as existence. Dasein is not simply any kind of existence, however, but an existence that is unique from all other existences in that it asks the question of existence while existing in the existence itself. In other words, one must first understand Dasein in order to understand Being because Dasein is ...
  • E: The Function of Different Settings in H Ibsen8217s E: The Function of Different Settings in H Ibsen8217s The Function of Different Settings in H Ibsen8217s A Dolls House and Shakespeare8217s 8220Twelfth Night8221 The setting comparison and deliberation in this essay is between Henric Ibsens A Dolls House and William Shakespeares Twelfth Night. A Dolls House deals with the social life and duty, the womans proper place and role within the family and the society. Twelfth Night is about illusion, deception, disguises, madness, and the extraordinary things that love will cause us to do and ...
  •  : “The Question Of Being”: What It Is, W : “The Question Of Being”: What It Is, W The Question Of Being: What It Is, Why It Matters. Martin Heidegger attempts to answer the question of Being by appealing to the terminology and methodology of Dasein, most commonly defined as existence. Dasein is not simply any kind of existence, however, but an existence that is unique from all other existences in that it asks the question of existence while existing in the existence itself. In other words, one must first understand Dasein in order to understand Being because Dasein is a k...
  • A: 8220The question of Being8221 what it is why it ma A: 8220The question of Being8221 what it is why it ma 8220The question of Being8221 what it is why it matters Martin Heidegger attempts to answer the question of Being by appealing to the terminology and methodology of Dasein, most commonly defined as existence. Dasein is not simply any kind of existence, however, but an existence that is unique from all other existences in that it asks the question of existence while existing in the existence itself. In other words, one must first understand Dasein in order to understand Being because Dasein is ...
  • B: The Function of Different Settings in H Ibsen8217s B: The Function of Different Settings in H Ibsen8217s The Function of Different Settings in H Ibsen8217s A Dolls House and Shakespeare8217s 8220Twelfth Night8221 The setting comparison and deliberation in this essay is between Henric Ibsens A Dolls House and William Shakespeares Twelfth Night. A Dolls House deals with the social life and duty, the womans proper place and role within the family and the society. Twelfth Night is about illusion, deception, disguises, madness, and the extraordinary things that love will cause us to do and ...