Tension Between Mother And


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tension between mother and Kobe bryant

Kobe Bryant: A player.
You have to be very careful what you ask for in life-you just might get it. Just ask Kobe Bryant.
May 12th, '97. The Delta Center, Salt Lake City, UT. Los Angeles Lakers vs. the Utah Jazz. Game Five.
There's 11.3 seconds left in regulation and the score is tied, 87-87. In the words of De La Soul, stakes is high. Not only because the Jazz are leading the Lakers 3-1 in the Western Conference Semifinals, but because things have gotten personal. It's the little things: a sneaky elbow here, a trip there, the hard stares, the merciless picks.
But for now, all that is secondary. The Lakers are in big trouble. A minute earlier, the big guy, Shaquille O'Neal, fouled out with 23 points and 13 rebounds. Harsh words were exchanged between him and Karl Malone after a flagrant foul committed by O'Neal early in the third quarter led to Malone receiving a technical. Robert Horry, meanwhile, gave Jazz guard Jeff Hornacek a rough forearm, earning himself an ejection. But this is nothing compared to the tension between Laker coach Del Harris and his point guard, Nick Van Exel. In Game Four, Van Exel had been pulled by Harris for waving off the coach's instructions, screaming vulgarities as Harris waved an admonishing finger in his face. Tonight, however, Van Exel is having a hell of a game, hitting key jumpers from all over the floor. His hot hand has saved them in clutch situations before, but now the ball is about to go to someone else for the game-winning shot.
The 18-year-old rookie, Kobe Bryant. The Golden Child.
A lanky, charismatic, 6-6, 200-pound prodigy, Kobe had led little-known Lower Merion High School to the Pennsylvania state title the year before. This year, he was being asked to carry an NBA team to the Finals. No problem.
"Give me the ball, coach," Bryant says. "I'll drain it."
The clock ticks, and Bryant takes the ball down the court, two players to his left, two on the right. With a scant few seconds left, he stops-14 feet out-and takes what will henceforth be referred to as The Other Shot.
The ball sails through the air with a high arc and...never makes the rim. Airball.
Utah fans go crazy. Overtime. In OT, Bryant throws up three more long bombs-all airballs. The Lakers lose, 98-93. As the Lakers leave the court, Shaq, who has taken a liking to the rookie, talks to the kid who hates to lose-especially with the eyes of the world on him.
"I don't want to see you hanging your head-you had a great season," he says. "Go home, work hard, and we'll come back next year."
But as Bryant walks off the court, the thoughts race through his mind, especially as he takes one more look at that elusive rim. "Am I really ready for all of this?"
Q: What's the most important lesson you learned last year?
Kobe Bryant: Patience.
What a difference half a year makes. Kobe Bryant is growing up before our eyes. It's more than the full head of hair, the extra inch, the added musculature and the goatee-he's becoming a man in this game.
He's lithe and tall, with long, sculpted arms like Michelange-lo's David. His face is aerodynamic, like that of a bird of prey. His crossover dribble is low to the ground and agile-he moves and twists, a challenge to guard. He can score from the perimeter but is becoming strong enough to power himself through the paint.
He's not forcing shots as much as he used to. He's learned to draw the double team-and dish the ball off to an open teammate. He won't automatically drive the lane, falling into traps that contain his game in ways that weren't possible when he was a high-school player. You still see that look of giddiness, the gee-whiz flair that has many people comparing him to Magic Johnson, but there's also cold determination, an undying competitive streak that's very reminiscent of Michael Jordan. Sure, Kobe Bryant still makes mistakes, but his overwhelming prowess makes them forgivable.
"It's amazing how smart this kid is-he's got a great personality and is ... more

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oediphus the king

                                   Oedipus the King
Oedipus the King starts in the legend where Oedipus, king of Thebes, is trying get rid of the plague in his city. Oedipus sends Creon to the oracles at Delphi to get the answer to the city's problems. Creon is away for a long time, and he returns with   Teiresias, the blind prophet. They repeat the oracles' statement: the plague will end only when Laios' murderer is discovered. Sophocles tells the events in order and finally unmask Oedipus as the murderer. That Oedipus acted like he didnt know anything about this was irrelevant; he feels he must be punished for his terrible crime, and so in his despair he blinds himself. His wife and mother Iocaste hangs herself. Creon ascends the throne of Thebes, and Oedipus goes into exile.
A priest of Thebes slowly advances toward Oedipus. He is hesitant and cautious before this famous person. You realize that Oedipus isn't looked up to just because he's the king; he's genuinely admired and respected. The priest speaks urgently, informing the king that the city of Thebes, once prosperous, is now in ruin. A mysterious, unnatural plague has settled on the countryside, causing unborn children to die, and the cattle to get sick. Perhaps today you'd look to science for a solution to such a calamity. In Sophocles' time, however, there would have been no doubt in anyone's mind that there are religious causes for this misery.
It appears that these people have come to seek comfort and advice from Oedipus, the "wisest in the ways of God." Oedipus, after all, solved the riddle of the Sphinx. Surely, they feel, Oedipus can now find a remedy for the plague. Only Oedipus can restore Thebes to its former glory.
Oedipus is genuinely touched by the spectacle of his suffering "children." He promises to investigate the unknown cause of the deadly plague. In fact, like any effective leader, he's already taken action. He explains that he's sent Creon, brother of his wife, Queen Iocaste, to the sacred city of Delphi to ask the oracles for a pledge that might yet save the city from destruction. Oedipus is worried, however, that Creon has been gone too long. Just then, Creon rushes in with a troubled expression on his face.
This revelation is a huge shock among the Theban citizens. But Oedipus,  immediately presses for more specific information. He demands that Creon name the man responsible for the crime but Creon can only repeat the story of the crime as it was told to him by the oracles: Laios, who was king of Thebes before Oedipus, went on a religious pilgrimage. On the road he was brutally attacked by a band of highwaymen. The former king and his servants, save one who escaped to spread word of the crime, were killed or left to die. Directly following Laios' murder, new problems arose in Thebes, and there was never a chance to hunt down the killers and avenge the murder.
Oedipus is outraged by this tale, and he resolves to avenge the murder of Laios personally. He has several motives for this: 1. personal safety: the murderer could reappear at any moment to kill him as well; 2. public duty: as king he must avenge the city and the city's god; 3. moral concern: for everyone's sake it will be good to be rid of evil.
The Prologue concludes, however, with a note of joyous celebration. The suppliants and priests gather up their ceremonial olive boughs and fig branches. They rejoice, certain that Oedipus will expose the murderer and save the city from inevitable ruin. Oedipus himself exits proudly, reminding his followers that he will do all he can to unmask the murderer:
The Prologue is traditionally followed in Greek tragedy by the Parados, where the Chorus enters. As the "ideal spectator" of these events, this group of actors represents the community and speaks directly to the audience.
First the Chorus restates poetically that Thebes is dying because of the unexplained plague; that the gods must swiftly- but mercifully- intervene to save the city. The Chorus then prays to the gods, asking them to relieve the city from despair. The first antistrophe ... more

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  • N: PART ONE CONTENTS --------------------3 N: PART ONE CONTENTS --------------------3 PART ONE CONTENTS --------------------3 SELFREALISATION AND DIRECTION FOR THE ADOLESCENT PART TWO CONTENTS ---------------------59 MANIFESTATIONS OF AWARENESS PART THREE CONTENTS -----------------104 PHILOSOPHICAL CONTENTS PART ONE. BOLD = MAIN TITLES. REGULAR = SUB TITLES. ----------------------------------------------------------------PAGE FORWARD -----------------------------------------------------4 INTELLECTUALITY -----------------------------------------8 DEDICATION -----------------------...