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quota system WHITE BLOOD CELLS

Lindsay Turner
4/20/01
White Blood Cells

Bacteria exist everywhere in the environment and have continuous access to the body through the mouth, nose and pores of skin. Further more, many cells age and die daily and their remains must be removed, this is where the white blood cell plays its role.  

According to this quotation, without white blood cells, also known as leukocytes, we would not be able to survive.  White blood cells are our bodys number one defense against infections.  They help keep us clean from foreign bacteria that enter our bodies.  Statistics show that there are five to ten thousand white blood cells per micro liter of blood, however this number will increase during an illness. White blood cells can differ in many ways, such as, size, shape and staining traits.  There are five different kinds of white blood cells that fall into two separate categories.  One category is called, granular leukocytes, and the other is called agranular white cells.    
There are three different types of granular leukocytes.  Neutrophil is a phagocyte, produced in the bone marrow that ingests and destroys bacteria extremely fast.   Neutrophil has a diameter, which is, about ten to twelve micrometers long.   They make up about 60-70 percent of the total number of white blood cells in our body.  Eosinphil is a type of white blood cell that secretes poisonous materials in order to kill parasites, allergies and phagocytosis of bacteria, which is when the cell takes in materials to eliminate them or move them from where they were. They make up about 2-4 percent of the total number of white blood cells in our body.  These white blood cells are similar to Neutrophil because they attack bacteria by the immune system.   This particular group of white blood cells is extremely important in my body, because they are prominent at sites of allergic reactions, such as anaphylaxis. The nucleus of Eosinphil is made of two lobes, and implanted in the cytoplasm are large, red-orange granules, and the diameter of them is on average about twelve to fifteen m.    The third type of granular leukocytes is called, basophil.  Basophils major function is, secretion.  They tend to have a diameter of 12-15 m. These cells make up only about one percent of the total population of white blood cells, causing them to be much more difficult to detect.  These cells secrete both histamine and heparin. Histamine draws blood into the damaged area, while heparin slows clotting so that more blood can enter the damaged area.  
There are two different kinds of agranular white cells.  One is called monocyte, and the other is called lymphocyte.  The major function of monocyte is, phagocytosis.  These cells more very quickly and are therefore able to consume bacteria and dead tissue at a fast rate. Monocytes have an average diameter of, 12-17 m, and they make up about 3-8 percent of our leukocytes population.  Lymphocytes, major function are immunity.   There are many different forms of lymphocytes, and all of the different forms have different functions.  B-lymphocytes produce, plasma cells, which form antibodies to (humeral immune response), T-lymphocytes produce, suppressor cells, helper cells, and cytotoxic, killer cells.  Lymphocytes have a diameter of about 8-18 m.  In general leukocytes, either clear away dead cells from the body, or destroy specific bacteria, viruses, and other agents of disease.
BIBLIOGRAPHY:
HomeworkHelp.com<http://www.homeworkhelp.com/homeworkhelp/freemember/text/bio/high/private/ch11/0701/main.htm> (viewed 20 Apr. 2001)
Marikk, Sze Leung and Janet. THE WHITE BLOOD CELL.<http://library.thinkquest.org/25896/sub_blood/wbc.htm> (viewed 20 Apr. 2001)
Starr Cecie, and Ralph Taggart. Biology: The Unity and Diversity of Life Boston: Wadsworth Publishing Corp.,
http://faculty.stcc.mass.edu/tamarkin/ap/ap2pages/blood/white.htm
... more

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Nationalism in German Music During the Early Romantic Period

Until the nineteenth century, music was generally regarded as an international language.  Folk music had always been in place and linked directly with particular regions.  On a larger scale though, European music was a device for expression through the application of Italian techniques and styles.  In other words, its technical vocabulary was Italian, and from the time of the early baroque, European music, in general, had evolved its styles and technical devices from the developments of Italian composers.  Furthermore, court opera was nearly always performed in Italian, whether in Dresden or in London, no matter who composed it or where it was performed.  For example, in 1855, Queen Victoria suggested to Richard Wagner that he translate his opera Tannhauser into Italian so that it could secure a production in London.   Thus, European music, regardless of where it was composed could be (and was) performed throughout Europe and understood through the common Italian commands, descriptions, and styles.  It was unacceptable for most to compose in any other way.  The international idea began to collapse in the early nineteenth century as embattled nations or nations subjugated by a foreign invader began to think of music as an expression of their own national identity, personality, or as a way of voicing national aspirations.
In Germany, the ideas of nationalism were prevented from finding an outlet in the world of political ideology and instead found outlets in music.  This started in a very subtle manor.  Take for example the increasing use, by Beethoven, of the German language in his instructions in his music.  In his Adieux Sonata (op. 81a), Beethoven's farewell to the Archduke Rudolph, the master progressively uses increasing amounts of German in his instructions and by the third movement, little Italian at all.  Sonatas written a few years later are designated for the Hammerklavier and not for the pianoforte, Italian for piano.  Such subtle changes in traditional composition direction foreshadowed ever-increasing tendencies toward German nationalistic ideas in music.  As Henry Raynor puts it, "the Napoleonic invasions which turned Beethoven from a simple revolutionary into a patriotic Austrian revolutionary seem to have made him feel that his own language was a perfectly satisfactory way of telling pianists how he wanted his music played."  
These early feelings of nationalism, if not just for Beethoven, stemmed from the years of unity under the auspices of Napoleon's Empire, which gave a considerable portion of central Europe reason to realize their collective similarities.  This large area shared a common language and historical legacy.   Traditions were similar as were aspirations.  Indeed, "the complex that was to become the German Empire presented a more or less homogeneous state, united by language and culture but forced by political organization into political disunity"  
Nonetheless, the idea of German unity had surfaced years earlier, long before the revolutionary borders of Central Europe were rationalized by Napoleon and before Beethoven's use of German vocabulary for instruction in his music.  The prominent German Enlightenment thinkers Johann Gottfried Herder and Johann Gottlieb Fichte had espoused that nationalism in Germany was found in the unity of culture and not in the political situation of the region.  Herder though that if the German-speaking world obtained a unity of culture and education, political unity would follow.  More importantly, it was the personality of the German people or Volk and their awareness of a common culture that would create the less vital political unity.  Herder was concerned with the cultural character exclusively in his nationalism.  Also, his brand of philosophical nationalism was applicable to others, and not exclusively Germans.  Somewhat conversely, Fichte believed that a nation was not merely the combination of people and a certain geographical area but was a spiritual unity created through shared culture and aspirations, a result of religious, social, economic, and political pressures.  Fichte was twenty years younger than Herder and promoted a more intense brand of German nationalism that surfaced later in the nineteenth century.  Of great importance though, Fichte, unlike Herder, "attributed to the Germans an originality and a genius not possessed by other peoples."   Conversely altogether is the thinking of Hegel.  His viewpoint was that the state, its policies, and the order it enforces ... more

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