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production of the Viruses

The word virus means poi-son in Latin. Viruses are submicro-scopic
intracellular parasites that consist of either RNA or DNA, and a protective coat
of protein. It has caused countless diseases in vari-ous organisms. The term
virus was first used in the 1890s to describe agents that caused diseases that
were smaller than bacteria. The ex-istence of viruses was established in 1892,
when Russian scientist Dimity I. Ivanovsky discovered microscopic particles
later known as the tobacco mosaic virus. Over the years, scientists have debated
whether viruses are alive. Some scientists argue that the virus is lifeless. On
the other hand, other scientists argue that viruses are lifeforms and should be
classified into a kingdom. However, many sci-entists have agreed that things
must have seven characteristics of life to be considered alive. The character-istics
of life are all living things are composed of cells, all organisms are organized
at cellular and molecular levels, energy use, and response to the environment,
growth, reproduc-tion, and adaptation. From research and observa-tion,
scientists have found that vi-ruses can perform some of the life processes. They
found that viruses have organization, the ability to re-produce, and
adaptations. First, they found that viruses are generally organized and composed
of a nu-cleic acid core, either RNA or DNA, surrounded by protein. Next, they
found that viruses could reproduce. It does not reproduce by sexual or asexual
production, but by injecting its genetic material into the nucleus of a living
cell. Finally, they found out that viruses have adaptations. They have the
ability to mutate into different strains to resist man-made drugs. In short,
these are some views and facts about the virus. To this day, scientists are
still fiercely debating whether viruses are alive. Should we consider them alive
since they perform some life processes or simply consider them lifeless?

Zoology and Animals ... more

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Marisol By Rivera

Marisol, a play written by Jose Rivera, is the play I enjoyed reading the most
this semester. Rivera, one of the leading contemporary Latin American
playwrights, writes with an image. After reading Marisol, I came away with a
very specific picture of what Rivera had in mind. He easily combines the
realistic moments of life, the dangers of the Bronx, dealing with an emotionally
unstable young man, Lenny, and the friendships developed with those we work
with, with his world on the verge of apocalypse where the mundanities of life we
take for granted have changed. Marisol has elements of pure theology where
Rivera's own possible musings are written in to his characters. These elements
include the appearance of Marisol's guardian angel in Marisol's dreams, the
threat to Marisol's life in the form of a woman turned to a pile of salt and the
smoke from a fire in Ohio blocking the sun in New York City. These all occur in
the first act before the War of the Heavens begins. This play was written in the
early nineties, copyright 1992, 1994, and revised and copyrighted 1999. Rivera
was very specific in his stage directions and overall views of the design and
production of the play in order to facilitate his image. These stage directions
and other designs should be followed by the people producing his play in order
to produce the image the play means to impart to the audience. He poises a gold
crown, suspended in the air over the set, over the actors, over all of his
creation, signifying God. But this crown, this God, remains motionless, remains
detached from all the proceedings. To support his unnervingly imminently
apocalyptic world, the mundanities that we would take for granted that are
missing from Marisol's world, like the moon and the extinction of coffee, are
dropped to the audience in a conversation between June, a co-worker and
Marisol's best friend, and Marisol at work(Rivera 22-23). To accomplish the
subtlety of unnerving the audience, Rivera gives a perfect office building; two
desks, a radio, books, papers, the New York Post (Rivera 20) contrasting
perfectly with the utter absurdity of facts pouring out of their mouths. This
show should be done in a small theatre, and for design explanations, I will use
the Studio Theatre at Towson University. This will allow the action to be
closest to the audience, including them in the show. The set would consist of
three brick walls painted directly onto the walls of the theatre. The wall
behind the center rows of seats would remain black due to seat proximity. The
back wall of the staging area (backing the scene shop) would be painted to the
rafters , leaving the balcony itself black but the wall behind the upper balcony
painted. The wall would have faux windows with iron gates on them running
horizontally at about four feet above the floor. The two side walls would also
have brick running up above the balcony. The two side walls would be completely
masked by a black dropcloth for the first act. There would be two wagons used in
Act One, neither bigger than 8 feet (which I am guessing to be the width of the
scene shop door). The graffiti'd poem, "The moon carries the souls of dead
people to heaven./The new moon is dark and empty./It fills up every month/with
glowing new souls/and carries its silent burden to God./Wake Up." (Rivera,
9) will be painted on the scene shop door which will remain closed. All
entrances and exits will be from the four studio doors. The exterior door of the
studio will be Marisol' s apartment door and have a series of locks she will
lock behind her. It will only be used once. There will be a ladder from the
balcony to the floor that the angel will use for her entrances. It will lock
onto the bars for support. On one of the wagons will be June's kitchen, and the
other will be Marisol's apartment, including bed, table, lamp, and clock (Rivera
12). The office will be downstage with the two desks, chairs and props wheeled
in from opposing house doors and meeting in the middle. The gold crown will hang
from the upstage center of the theatre. Act Two will see the removal of the two
wagons to the scene shop during intermission and the removal of the two black
drops from the side brick wall paintings. The addition of various and asundry
trash cans, trash, and ... more

production of the

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