Petruchio Is The Kind Of


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petruchio is the kind of Multiple Heroes In The Taming Of The Shrew

Multiple Heroes in The Taming of the Shrew
Throughout Shakespeare's The Taming of the Shrew, it is easy to see that a great
responsibility is put on Petruchio for his efforts in having to tame the shrew, Katherine.
With this responsibility also came admiration when his goal was finally achieved. Because
of this admiration for taming a shrew, Petruchio is the character most looked upon as a
hero in this play. However, I believe that although Petruchio can be looked upon as a
hero, Katherine and Bianca also have good arguments as to how they are heroes also
because of the drastic ways they changed as people. In my eyes, The Taming of the
Shrew has more than one hero, in fact, there are multiple heroes.
The most obvious hero in this Shakespearean play is Petruchio. Petruchio, upon
setting foot in Padua, has announced that he has come Happily to wive and thrive as best
I may (Dolan 63). He is looking for a wife, and feels like he has much to offer.
Hortensio jokingly tells Petruchio about Katherine, the shrew, which immediately sparks
Petruchio's interest in the wealthy, fiery woman. After Petruchio and Katherine's first
meeting in Act II, Scene I, Petruchio says this: For I am he born to tame you, Kate, And
bring you from a wild Kate to a Kate Comformable as other household Kates....I must and
will have Katharine to my wife (Dolan 83). This is where the story begins.
When the story comes to an end, in the last few scenes, it is obvious that Katherine
has now been tamed. Petruchio has accomplished what he has set out to do by taming her
the way he would tame a pet falcon. He says in Act IV, Scene 1, in reference to treating
her like a falcon, This is the way to kill a wife with kindness; And thus I'll curb her mad
and headstrong humor. He that knows better how to tame a shrew, Now let him speak.
'Tis charity to show (Dolan 107). By starving Katherine, not letting her sleep, and
torturing her with new clothes that are not good enough for her, Petruchio has shown
that he is a hero. He did the impossible when he married and tamed Katherine.
Even though some people, women in particular, are likely to say that Petruchio
isn't a hero because that is not a decent way to treat a human being; a person can't argue
with the fact that by the end of the play, Katherine is a different person. She is no longer
rude, obnoxious, or disobedient. In fact, she is a well-respected, well-mannered woman,
who is capable of having a mutual, loving relationship. No one else in Katherine's life has
been able to change her headstrong, shrewish, ways, but Petruchio was able to do this,
making him a perfect hero for the play.
On the other hand, I believe that it can be argued that Katherine was also a hero in
her own way. After being treated second best her entire life, it is understandable why she
acts the way she does. She wants attention for herself, especially from her father who
adores her younger, more obedient sister, Bianca. Katherine has such an awful reputation
that when Hortensio learns that Petruchio is interested in marrying her he tries to warn
Petruchio off by saying: Her only fault, and that is faults enough, Is that she is intolerable
curst And shrewd, and froward, so beyond all measure That, were my state far worser that
it is, I would not wed her for a mine of gold (Dolan 65). Basically Katherine is known
for being a shrew that could never be tamed, nor would anyone ever want to try.
Katherine does not help herself or her reputation when Petruchio does start
courting her. In their first conversation, witty, insulting, humorous dialogue flows
between them freely, which shows Katherine's shrewish temperament. When Petruchio
tells Katherine to come sit on him, she replies with, Asses are made to bear, and so are
you (Dolan 79). Another response is, If I be waspish, best beware my sting (80). And,
when Petruchio tells her that they will be married on Sunday, she responds with, I'll see
thee hanged on Sunday first (84). Katherine puts on a great display of the reasons she is
considered such a shrew.
However, by the end of the play, Katherine is a completely changed ... more

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kiss me kate

As a modern audience, we must remember to be mindful of the society in which Shakespeare wrote The Taming of the Shrew when we analyze it. This was a time when marriages were made for the convenience of the fathers far more often than for a love already existing between the bride and groom; people often were married without having known each other for very long, and sometimes without ever having met. Instead, one hoped to find love within the marriage once it was in place, to learn to love one's partner--there really were no "better" options. It is also doubtful that acting upon "love at first sight," in any society, necessarily brings greater happiness in marriage than does the slowly-developed, consistent love of a married couple who have learned how to live with and for each other. These are the two contrasting relationships that we see in the play, the former between Lucentio and Bianca, and the latter between Petruchio and Kate.

Thus the "ideal" married relationship presented by the play does not concern the "match made in heaven," in which the man and woman are perfectly suited for each other from the beginning. Rather, and much more realistically, it deals with the proper dispositions that a man and woman might arrive at in order to form a more peaceful, if not perfect, union. The question is not whether Petruchio is Italy's most eligible bachelor--certainly, he is at times grossly misogynistic, possessive, and condescending. However, at the beginning of the play, Kate is by disposition Padua's most ineligible maid. After all, as the title suggests, the play is fundamentally about a shrew, and Kate's transformation is its primary dramatic element. So the question becomes, is Petruchio the right man to bring about this transformation, and the answer is a resounding "yes." Only the carefree, persistent, self-assured manner of a man like Petruchio could break through the barriers of words that Kate has put up between herself and marriage.

Furthermore, Kate gradually reveals throughout the play that she does not truly wish for these barriers to remain standing; when Petruchio is late in arriving to the wedding, she fears the loneliness of an old maid far more than the constrictedness of a marriage. It would hardly have done her any good to have married a malleable man who would alway consent to her headstrong will and endure her tongue-lashings, for that marriage could never have been anything but a dichotomy. Though Petruchio stifles and at times humiliates her, the result is that Kate in the end can enjoy her married life, and, as she finally reveals near the end of the play, can love her husband in that life.


The play is about a young woman, Catherine, her sister, Claire, and a young man, Hal, who studied under her father, Robert and their search for the truth about a mathematical proof. The main character, Catherine, is a confused and disturbed young woman who gave up her own dreams to care for her dying father. Catherine has spent the past five years taking care of her mentally ill father, and when he dies her sacrifices are completely under appreciated. Her sister, Claire, wants Catherine to come to New York where she can keep an eye on Catherine.  Then there is Hal who plays Catherine romantic interest. With Hal, Catherine gets a change to claim herself as a mathematician of her fathers statue. The conflict comes when she generates a mathematical proof that might revolutionize mathematics. Yet Claire and Hal do not believe her and question whether she is trying to pass off her fathers work as her own.

John Lee Beatty's back-porch set indicates Robert and Catherine's living space through windows and screen doors. You could fell fall on the stage with a few leaves on the porch and some naked trees of to the side. Pat Collins' lighting is especially effective in the play. To fit the Walter Kerr stage, the porch appears to have been stretched out with neighbors houses on either side.

My personal reaction to this play was a good one. I truly believe that the entire production and the success of this play is dependent on Mary-Louis ... more

petruchio is the kind of

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  • T: Kiss me kate T: Kiss me kate kiss me kate As a modern audience, we must remember to be mindful of the society in which Shakespeare wrote The Taming of the Shrew when we analyze it. This was a time when marriages were made for the convenience of the fathers far more often than for a love already existing between the bride and groom; people often were married without having known each other for very long, and sometimes without ever having met. Instead, one hoped to find love within the marriage once it was in place, to learn ...
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  • I: Exploring Sexuality in Taming of the Shrew I: Exploring Sexuality in Taming of the Shrew Exploring Sexuality in Taming of the Shrew Andrea Blacksten Shakespeare Plays Professor Christopher Human sexuality underlies many of the happenings of Taming of the Shrew. It affects the conflicts, theme, and resolution of the play. It becomes evident throughout the play that sexual behavior denotes whether a character is thought of as good or evil (not necessarily good evil as meant in conventional terms, but rather as a nice character versus a waspish or mean' character). In the begi...
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  • F: To Tame A Shrew F: To Tame A Shrew To Tame A Shrew In Shakespeare\'s Taming of the Shrew, one topic that has been debated, interpreted, discussed, reinterpreted and adapted into different forms has been the character of Katharina, the shrew, and whether she was tamed, liberated, or just a good enough actress to make everyone think she was in fact, tamed. In this essay, I will present arguments for and against each of these points, as well as discuss one television adaptation of Taming of the Shrew that presents Katharina not as t...
  • Petruchio and Kate Petruchio and Kate Petruchio and Kate In the beginning of The Taming of the Shrew, some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not tamed but just putting on an act to show up her younger sister Bianca, whom has always been more beautiful and charming. Kate is like a wasp, ...