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original music Imagination in Keats

Imagination in Keats

John Keats was writing in an era of romanticism where imagination, freedom, and innovation were becoming present in the writers of this time period. "Ode on a Grecian Urn" is a renowned poem written by Keats during the romantic era. If a person were to read any of Keats poems, one would realize that a newly emergent style is present in all of his works. "Ode on a Grecian Urn" exhibits signs of imagination through the work with the ideas it speaks about. Since imagination is the highest ideal and the most important thing in the world, Keats brings this idea to life with the descriptions of music, love, and youth. He wants the reader to imagine a world through the urn and not to see what would be present if the urn could act out the apparent scenes it portrays.
Keats writes about seeing a man playing the pipes and how sweet the music is. The urn has placed a frozen image in time of people playing music and he writes about how the music is sweeter unheard. "For ever piping songs for ever new." To the speaker, the unheard song is forever new and wishes for the music not to play to the sensual ear for fear of damaging the thoughts of sweet music in his head. He is afraid that the beauty the urn exhibits will tell a greater tale then the image he sees. The speaker must believe that the imagination is the greatest thing because he wishes not to hear any of the music. He would rather look to the urn and see a man pictured smiling and staying on key then having the real thing present and playing.
The piping music is the ideal form of music when viewed from the urn. Since the urn has pictures frozen in time, one can see the pipe players always pictured the same way. This idea can make the observer hear the unheard music in his head and create a new song in his mind. Keats wanted to show the whole realm of imagination and he does this by explaining the sweet music and the pictures it portrays. "Ode on a Grecian Urn" shows full imagination because it deals with the observer's imagination toward the urn. "Heard melodies are sweet, but those unheard are sweeter" The point that Keats wanted to get across is that many people could look at the same urn and have a mental picture in their mind and by using their imagination create thoughts that are pleasurable to them.  
The urn also includes pictures of love. Keats explains how "two bold lovers never kiss," and how much more pleasurable that picture is then seeing them kiss. He realizes that love has two sides to it and he sees the side of anticipation. "More happy love, more happy, happy love." Since the act is never completed, he does not know the whole story. The loves could end in not kissing or fading away as some love does and Keats wishes not to see this. To Keats, the love can forever be anticipated which is sometime better then having the love. No bitter words of hate or ideas of acceptance are seen when viewing the urn because it does not portray the end result. The urn lets the viewer use their imagination to see the beauty of love and what it can be.
Keats would rather imagine the best love be anticipated then see bitter love emerge. The picture on the urn remains sweet through time and embodies what everlasting love should be. "Bold lover, never, never canst thou kiss, though winning near the goal- yet, do not grieve." He wants to imagine a love where the lovers can not fade and they will be fair forever. When the speaker looks at the urn, they realize these traits. Keats would rather see an image of love that can be the best love of all and never see the worst that could occur if the image was completed and real. Since bitterness can occur with love, one would like to imagine a love that is everlasting and sweet. Most ideals of perfect ... more

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American Slavery

The purpose of this report was for me to research and explore the connection between African American women and music.Since prior to the slave decades, music has been an integral part of African American society, and served as a form of social, economic, and emotional support in African American communities in the past and present.This paper will cover three different types of secular music that emerged during the slave days, through the civil war, reconstruction, and depression periods.They are blues, jazz, and gospel music.Each of these forms of music are still in existence today.In addition to exploring the history of each of these genres of music, this report will identify three African American female music legends, Bessie Smith, Emma Barrett, and Mahalia Jackson.
Blues emerged in the period between the end of the civil war, and the beginning of the 20th century.Originating in the fields of the rural south, it became popular after the emancipation of the slaves.In this form of music, the singer and composer is one in the same, a characteristic not evident in the spiritual songs of the slave communities.Spirituals were somewhat of a passage way for blues.Blues followed blacks to urban societies as spirituals followed the slaves onto the plantations.The differences between these types of music were that spirituals were collective, whereas an individual sang blues.Blues attributed to the evolution of black society toward individualism after the collective society of slavery.Blues became know as the music of the black working class.It was a way for African Americans to express the modern problems of economics, social errors, and poverty and power struggles they faced after they became free.African Americans were still living in unjust societies, where jobs were hard to find.They began to migrate north, but the case remained the same.They used music for economic gain in nightclubs, corner halls, publishing, and recording.
One of the greatest African American female blues singers was Bessie Smith.She was born on April 15, 1894 or 1898.The exact date is unknown.Her father William was a preacher, who died when Bessie was very young.This left her mother to raise seven children on her own.When Bessie was nine years old, her mother Laura had passed away, and two of her brothers had died as well.The oldest sister brought up the five remaining brothers and sisters.Prior to the death of Bessie's mother, she was singing on a street corner to the accompaniment of her brother's guitar.The money that she made went to support the family.At the age of eighteen, she began performing professionally as a dancer.While traveling the south and mid-west, she met Ma Rainey, "The Mother of Blues".She joined the most influential agency handling black artists, Theater Owners' Booking Association (TOBA).In February 1923, Bessie recorded for Columbia Record Company.Her songs "Down-hearted Blues" and "Gulf Coast Blues" sold 780,000 copies in less than six months.The contract Bessie signed with Columbia yielded a $20,000 yearly salary.Her popularity increased rapidly, and TOBA was able to book her for theater and club shows paying up to $2,500 per week for personal appearances.Life for Bessie became hectic, as she was unable to manage such large sums of money.By 1928, her popularity leveled off due to a decline in the popularity of blues.In addition to this, TOBA folded in the summer of 1930.In the same year, Columbia renegotiated her contract for half of the original contract of 1923.And, in 1931, Columbia dropped her altogether.The swing era was emerging, and taking over where blues was leaving off.Bessie attempted to make a transition to the new genre of music.Late September 26, 1937, she left Memphis, Tennessee, for Darling Mississippi, when her car struck a parked van.Bessie died the following morning at a black hospital.She was buried in Sharon Hill, Pennsylvania.
Like blues, jazz began to shape during slavery, and in the years after the civil war.The end of slavery meant the end of an isolation period that prevented blacks from sharing ideas and art forms such as music.Jazz differed from blues, because it was not much different than the slave spirituals.Jazz was an approach to feelings, personal expression, pain and pleasure of physical life.It was combination of spirituals and a new form of music.Black women contributed to the development of jazz.During slavery, they ... more

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  • R: Imagination in Keats R: Imagination in Keats Imagination in Keats Imagination in Keats John Keats was writing in an era of romanticism where imagination, freedom, and innovation were becoming present in the writers of this time period. Ode on a Grecian Urn is a renowned poem written by Keats during the romantic era. If a person were to read any of Keats poems, one would realize that a newly emergent style is present in all of his works. Ode on a Grecian Urn exhibits signs of imagination through the work with the ideas it speaks about. ...
  • I: American Slavery I: American Slavery American Slavery The purpose of this report was for me to research and explore the connection between African American women and music. Since prior to the slave decades, music has been an integral part of African American society, and served as a form of social, economic, and emotional support in African American communities in the past and present. This paper will cover three different types of secular music that emerged during the slave days, through the civil war, reconstruction, and ...
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