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many elements of symbolism to Jerome David Salinger, born in

Jerome David Salinger, born in New York City on January 1, 1919, may not have written many novels in which he is recognized for.  Although, he did write one novel, which brought him fame.  In many of Salingers short stories and especially his most well-known novel he writes about how the main character falls from his or her own innocence then rises to face their challenges.  In J.D. Salingers , Catcher in the Rye, Holden Caulfield goes through a fall from his innocence throughout his journey to his safe haven, home.

One example of when Holden fell from his own innocence is when he is in the room with Phoebe and he cant name anything he likes. Holden reacts to this question by saying, "Boy, she was depressing me"(Salinger 169).   The only three things he can name that he liked were Allie, James Castle, and sitting there chewing the fat with Phoebe.  The reason this is a time when Holden falls is because he gets really depressed when he can barely think of anything he liked.  The reason I think Holden gets so depressed is because two of the people he names are dead.  Thats why he is so lonely all the time.  Holden finds things in common with Allie and James Castle and since theyre both dead he feels, in the back of his mind,  that he should also be dead which makes him depressed.

Another example of a fall for Holden is when he realizes he cant erase even half the "fuck yous" in the world.  This doesnt sound very important, but it is symbolic because he realizes that he can not be the catcher in the rye.  His dream of shielding all the innocent children from societys harsh elements has been ruined by this one statement.  Now because of this realization he comes to the conclusion that he can not shield everybody, not even half of everybody.  An example of  Holden trying to be the catcher in the rye is when Holden first sees the "fuck you" on the wall.  Holden said,

It drove me damn near crazy.  I thought how Phoebe and all the other kids

would see it, and how theyd wonder what the hell it meant, and then finally some dirty kid would tell them- all cockeyed, naturally what it meant, and how theyd think about it even worry about it for a couple of days.  I kept wanting to kill whoeverd written it.(Salinger 201)

Holdens final fall comes when he is in the Egyptian Tomb in the Metropolitan Museum of Art.  When Holden is deep within the Egyptian Tomb he feels he is in a safe and sanitary place free from societys cruel components until he sees the "fuck you" on the wall.  When he sees this he starts to think about committing suicide because he feels like living is just a waste.   During this time he spent in the tomb he decides on life or death.  After going unconscious for a couple of minutes he decides to live because, "Death thus becomes not a gesture of defiance but of surrender"(Miller 17).  Once Holden wakes up he feels better and symbolically chooses life.  This is when Holden begins to rise.  When Phoebe is on the carousel Holden wants to protect her but restrains himself, "The thing is with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything.  If they fall off, they fall off, but its bad to say anything to them"(Miller 17-18)When Holden says this his dreams of being catcher in the rye vanish.  He realizes that all children must fall, like he himself did.

In conclusion, The Catcher in the Rye is a story of a boy falling from innocence to enter adulthood.  An example of J.D. Salinger using symbolism to show Holdens Holding on to his childhood is in his name, Holden(Hold On).  This is referring to Holden not wanting to enter society and all its phonies.  Today, when somebody holds on to their innocence they are often considered outcasts; and in the persons mind everyone who considers him this, is a phony, like ... more

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Henrik Ibsen

Henrik Ibsen was born at Skien in Norway on March 20, 1828. When he was eight,
his father went bankrupt. This event made a deep impression upon him. After they
went bankrupt, his family moved to a small farm north of the town where they
lived in poverty. Henrik was forced to attend a small local school. He received
a substandard education. In 1843, the family returned to town. Unfortunately
they were still poor. Ibsen came from a very dysfunctional family. His
domineering father was an alcoholic who found solace in alcohol. His quiet
mother found comfort in religion. He used them as a model for his plays. The
blend of an overbearing husband and a submissive wife made appearances in his
plays Brand, A Doll's House, and Ghosts. The bitter character of Hjalmar Ekdal
in The Wild Duck was based on Ibsen's father. When he was sixteen, he moved to
Grimstad to work for a druggist. He had wanted to become a doctor, but game up
on the idea after he failed Greek and Math on his University entrance exams.
Medicine was not his only ambition. He also wanted to be a painter. In 1850,
Ibsen entered the first of his three writing periods. His romantic period went
from 1850 to 1873. The greatest works from this period are the Brandand Peer
Gynt Most of the plays that he wrote during these years are romantic historical
dramas. Lady Inger of Ostraat was a romantic drama with intrigue. The Vikings of
Helgeland was a simple and sad tragedy. The last play of the Romantic period was
Emperor and Galilean. It is similar to Ibsen's other play Catiline because it
showed his impatience with traditional attitudes and values. In both plays he
showed sympathy for historical characters who were famous for being rebellious.
Ibsen became the stage manager and playwright of the National Stage in Bergen in
1851. He worked there for six years. In 1857, he moved to Christiania (Oslo),
where he became director of the Norwegian Theatre. He neglected both writing and
the theatre. He plunged into social life with his literary friends and drank
heavily. In 1858, Ibsen married Suzannah Thoresen, with whom he had one child,
Sigurd Ibsen. This was a marriage that was often as misunderstood as the
marriages of Ibsen's dramas. At the age of thirty, Ibsen saw his first
performances of Shakespeare in Copenhagen and Dresden. Shakespeare's work
convinced Ibsen that serious drama must strive toward a psychological truth and
form its basis on the characters and conflicts of mankind. Ibsen and his friend
Bjшrnstjerne Bjшrnson founded "The Norwegian Company" in
1859. After the Norwegian Theatre went bankrupt in 1862, Ibsen was depressed and
broke. As a result, he was sometimes seen drunk on the streets of Christiania.
His success with The Pretenders in 1863 inspired him to write several poems.
Ibsen became bitterly disappointed with current political events, especially
Norway's failure to help the Danes in their war against Prussia. In 1864 he left
Norway. After he left, he spent most of his time in Rome, Dresden and Munich. He
was supported by a pension from the Norwegian state and income from his books.
In 1866, he had a significant breakthrough with his play Brand. In his speech to
Christiania students in 1874, Ibsen said, "All I have written, I have
mentally lived through. Partly I have written on that which only by glimpses,
and at my best moments, I have felt stirring vividly within me as something
great and beautiful. I have written on that which, so to speak, has stood higher
than my daily self. But I have also written on the opposite, on that which to
introspective contemplation appears as the dregs and sediments of one's own
nature. Yes, gentlemen, nobody can poetically present that to which he has not
to a certain degree and at least at times the model within himself." In
1877, Ibsen entered his second period of writing with his play Pillars of
Society. Ibsen wrote a series of plays dealing with social problems, such as A
Doll's House and Ghosts. He also wrote a series of plays dealing with
psychological problems, such as The Lady from the Seas and Hedda Gabler. He
wrote eight plays during of this period and both originated and perfected the
problem play. The term "problem play" refers specifically to the type
of drama which Ibsen wrote beginning with Pillars of Society in 1877. In these
plays, the emphasis is on the presentation of a social or ... more

many elements of symbolism to

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