Man Of Her Dreams

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man of her dreams Marisol By Rivera

Marisol, a play written by Jose Rivera, is the play I enjoyed reading the most
this semester. Rivera, one of the leading contemporary Latin American
playwrights, writes with an image. After reading Marisol, I came away with a
very specific picture of what Rivera had in mind. He easily combines the
realistic moments of life, the dangers of the Bronx, dealing with an emotionally
unstable young man, Lenny, and the friendships developed with those we work
with, with his world on the verge of apocalypse where the mundanities of life we
take for granted have changed. Marisol has elements of pure theology where
Rivera's own possible musings are written in to his characters. These elements
include the appearance of Marisol's guardian angel in Marisol's dreams, the
threat to Marisol's life in the form of a woman turned to a pile of salt and the
smoke from a fire in Ohio blocking the sun in New York City. These all occur in
the first act before the War of the Heavens begins. This play was written in the
early nineties, copyright 1992, 1994, and revised and copyrighted 1999. Rivera
was very specific in his stage directions and overall views of the design and
production of the play in order to facilitate his image. These stage directions
and other designs should be followed by the people producing his play in order
to produce the image the play means to impart to the audience. He poises a gold
crown, suspended in the air over the set, over the actors, over all of his
creation, signifying God. But this crown, this God, remains motionless, remains
detached from all the proceedings. To support his unnervingly imminently
apocalyptic world, the mundanities that we would take for granted that are
missing from Marisol's world, like the moon and the extinction of coffee, are
dropped to the audience in a conversation between June, a co-worker and
Marisol's best friend, and Marisol at work(Rivera 22-23). To accomplish the
subtlety of unnerving the audience, Rivera gives a perfect office building; two
desks, a radio, books, papers, the New York Post (Rivera 20) contrasting
perfectly with the utter absurdity of facts pouring out of their mouths. This
show should be done in a small theatre, and for design explanations, I will use
the Studio Theatre at Towson University. This will allow the action to be
closest to the audience, including them in the show. The set would consist of
three brick walls painted directly onto the walls of the theatre. The wall
behind the center rows of seats would remain black due to seat proximity. The
back wall of the staging area (backing the scene shop) would be painted to the
rafters , leaving the balcony itself black but the wall behind the upper balcony
painted. The wall would have faux windows with iron gates on them running
horizontally at about four feet above the floor. The two side walls would also
have brick running up above the balcony. The two side walls would be completely
masked by a black dropcloth for the first act. There would be two wagons used in
Act One, neither bigger than 8 feet (which I am guessing to be the width of the
scene shop door). The graffiti'd poem, "The moon carries the souls of dead
people to heaven./The new moon is dark and empty./It fills up every month/with
glowing new souls/and carries its silent burden to God./Wake Up." (Rivera,
9) will be painted on the scene shop door which will remain closed. All
entrances and exits will be from the four studio doors. The exterior door of the
studio will be Marisol' s apartment door and have a series of locks she will
lock behind her. It will only be used once. There will be a ladder from the
balcony to the floor that the angel will use for her entrances. It will lock
onto the bars for support. On one of the wagons will be June's kitchen, and the
other will be Marisol's apartment, including bed, table, lamp, and clock (Rivera
12). The office will be downstage with the two desks, chairs and props wheeled
in from opposing house doors and meeting in the middle. The gold crown will hang
from the upstage center of the theatre. Act Two will see the removal of the two
wagons to the scene shop during intermission and the removal of the two black
drops from the side brick wall paintings. The addition of various and asundry
trash cans, trash, and ... more

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Macbeth Drama

In the play "Macbeth," there were many interesting sections which
could be concentrated on due to the suspense and the involvement of the
supernatural. The use of the supernatural in the witches, the visions, the
ghost, and the apparitions is a key element in making the concept of the play
work and in making the play interesting. Looking through each Act and Scene of
the play, it is noticed that the supernatural is definitely a major factor on
the play's style. The use of the supernatural occurs at the beginning of the
play, with three witches predicting the fate of Macbeth. This gives the audience
a clue to what the future holds for Macbeth. "When the battles lost and
won" (Act I, Scene I, l.4) was said by the second witch. It says that every
battle is lost by one side and won by another. Macbeth's fate is that he will
win the battle, but will lose his time of victory for the battle of his soul.
After the prophecies of the witches' revealed the fate of Macbeth, the plan in
which to gain power of the throne is brought up. The only way to gain power of
the throne was for Macbeth to work his way to the throne, or to murder King
Duncan. Murdering the king was an easier plan since the motivation in his dreams
urged him on. Lady Macbeth also relied on the supernatural by her soliloquy of
calling upon the evil spirits to give her the power to plot the murder of Duncan
without any remorse or conscience (Act I, Scene V, ll.42-57). The three sisters
are capable of leading people into danger resulting in death, such as the sailor
who never slept (Act I, Scene III, ll.1-37). Lady Macbeth has convinced her
husband Macbeth to murder King Duncan. On the night they planned to kill Duncan,
Macbeth is waiting for Lady Macbeth to ring the signal bell to go up the stairs
to Duncan's chamber. He sees the vision of the floating dagger. The interest of
the dagger is that it leads Macbeth towards the chamber by the presence of evil
of the dagger being covered with blood. Then the bell rings and Macbeth
stealthily proceeds up the staircase to Duncan's chamber. Once the murder has
been committed, eventually Banquo has his suspicions about Macbeth killing
Duncan to have power of the throne. There is constantly more guilt and fear
inside Macbeth and his wife that they decide to have Banquo killed. Macbeth and
his wife attend a banquet in which a ghost appears. Once the murderer notified
Macbeth that the deed was done, he observed the ghost of Banquo sitting in his
regular seat. This caused Macbeth to act in a wild manner, making people
suspicious of his actions. (Act III, Scene VI, ll.31-120). The use of the
supernatural has increased the suspense now that Macbeth is constantly relying
on the prophecies of the three witches. Hecate, the Queen of witches is angry
with the three sisters for not involving her in their encounters with Macbeth.
The witches plan to lead Macbeth to his downfall by making him feel
over-confident. (Act III, Scene V, ll.1-35). Further on in the play, Macbeth
finds his way to the witches' cave and demands to know what lies ahead for him.
The three witches predict what he is going to ask and produce the first
apparition which is an armed head. "Macbeth!, Macbeth!, Macbeth!, beware of
Macduff; beware thane of Fife. Dismiss me: enough." (Act VI, Scene I,
ll.77-78). The first apparition tells Macbeth to beware of Macduff. Then the
second apparition appears (a bloody child), and says: "Be bloody, bold, and
resolute; laugh to scorn the power of man, for none of woman born shall harm
Macbeth." (Act IV, Scene I, ll.85-87). This apparition informs Macbeth that
no man born from a woman can harm him. finally, the last apparition appears and
is a child crowned, with a tree in his hand. The apparition is saying that he
will never be defeated until Great Birnam wood shall come against him to High
Dunsinane Hill. "Be lion melted, proud, and take no care who chafes, who
frets, or where conspirers are: Macbeth shall never vanquish'd be until Great
Birnam wood to High Dunsinane Hill shall come against him." (Act VI, Scene
I, ll.98-102). These apparitions convinced Macbeth that this was his fate and
became over confident, and lead him to his death. The use of the supernatural in
Macbeth results quite well ... more

man of her dreams


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