Lonely Mountain


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lonely mountain Ernest Hemmingway

Ernest Miller Hemingway was born on July 21, 1899, in Oak
Park, Illinois. His father was the owner of a prosperous real
estate business. His father, Dr. Hemingway, imparted to Ernest the
importance of appearances, especially in public. Dr. Hemingway
invented surgical forceps for which he would not accept money. He
believed that one should not profit from something important for
the good of mankind. Ernest's father, a man of high ideals, was
very strict and censored the books he allowed his children to read.
He forbad Ernest's sister from studying ballet for it was
coeducational, and dancing together led to hell and damnation.
Grace Hall Hemingway, Ernest's mother, considered herself pure
and proper. She was a dreamer who was upset at anything which
disturbed her perception of the world as beautiful. She hated
dirty diapers, upset stomachs, and cleaning house; they were not
fit for a lady. She taught her children to always act with
decorum. She adored the singing of the birds and the smell of
flowers. Her children were expected to behave properly and to
please her, always.
Mrs. Hemingway treated Ernest, when he was a small boy, as if
he were a female baby doll and she dressed him accordingly. This
arrangement was alright until Ernest got to the age when he wanted
to be a gun-toting Pawnee Bill. He began, at that time, to pull
away from his mother, and never forgave her for his humiliation.
The town of Oak Park, where Ernest grew up, was very old
fashioned and quite religious. The townspeople forbad the word
virgin from appearing in school books, and the word breast was
questioned, though it appeared in the Bible.
Ernest loved to fish, canoe and explore the woods. When he
couldn't get outside, he escaped to his room and read books. He
loved to tell stories to his classmates, often insisting that a
friend listen to one of his stories. In spite of his mother's
desire, he played on the football team at Oak Park High School.
As a student, Ernest was a perfectionist about his grammar and
studied English with a fervor. He contributed articles to the
weekly school newspaper. It seems that the principal did not
approve of Ernest's writings and he complained, often, about the
content of Ernest's articles.
Ernest was clear about his writing; he wanted people to see
and feel and he wanted to enjoy himself while writing. Ernest
loved having fun. If nothing was happening, mischievous Ernest
made something happen. He would sometimes use forbidden words just
to create a ruckus. Ernest, though wild and crazy, was a warm,
caring individual. He loved the sea, mountains and the stars and
hated anyone who he saw as a phoney.
During World War I, Ernest, rejected from service because of a
bad left eye, was an ambulance driver, in Italy, for the Red
Cross. Very much like the hero of A Farewell to Arms, Ernest is
shot in his knee and recuperates in a hospital, tended by a caring
nurse named Agnes. Like Frederick Henry, in the book, he fell in
love with the nurse and was given a medal for his heroism.
Ernest returned home after the war, rejected by the nurse with
whom he fell in love. He would party late into the night and
invite, to his house, people his parents disapproved of. Ernest's
mother rejected him and he felt that he had to move from home.
He moved in with a friend living in Chicago and he wrote
articles for The Toronto Star. In Chicago he met and then married
Hadley Richardson. She believed that he should spend all his time
in writing, and bought him a typewriter for his birthday. They
decided that the best place for a writer to live was Paris, where
he could devote himself to his writing. He said, at the time, that
the most difficult thing to write about was being a man. They
could not live on income from his stories and so Ernest, again,
wrote for The Toronto Star.
Ernest took Hadley to Italy to show her where he had been
during the war. He was devastated, everything had changed,
everything was destroyed.
Hadley became pregnant and was sick all the time. She and
Ernest decided to move to Canada. He had, by then written three
stories and ten poems. Hadley gave birth to a boy who they named
John Hadley Nicano Hemingway. Even though he had his family Ernest
was unhappy and decided to return to Paris. It was in Paris that
Ernest got word that a publisher wanted to print his book, ... more

lonely mountain

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Aradia




  If  the reader has ever met with the works of the learned
folk-lorist G. Pitre, or the articles contributed by
"Lady Vere de Vere" to the Italian Rivista or that of
J. H. Andrews to Folk-Lore, he will be aware that there are
in Italy great numbers of Strege, fortune-tellers or witches,
who divine by cards, perform strange ceremonies in which
spirits are supposed to be invoked, make and sell amulets,
and, in fact, comport themselves generally as their reputed
kind are wont to do, be they Black Voodoos in America or
    But the Italian Strega or sorceress is in certain respects
a different character from these.  In most cases she comes of
a family in which her calling or art has been practiced for many
generations.  I have no doubt that there are instances in which
the ancestry remounts to mediaeval, Roman, or it may be Etruscan
times. The result has naturally been the accumulation in such
families of much tradition.  But in Northern Italy, as its literature
indicated, though there has been some slight gathering of fairy tales
and popular superstitions by scholars, there has never existed the
least interest as regarded the strange lore of the witches, nor any
suspicion that it embraced an incredible quantity of old Roman minor
myths and legends, such as Ovid has recorded, but of which much escaped
    This ignorance was greatly aided by the wizards and witches
themselves, in making a profound secret of all their traditions,
urged thereto by fear of the priests.  In fact, the latter all
unconsciously actually contributed immensely to the preservation of
such lore, since the charm of the forbidden is very great, and
witchcraft, like the truffle, grows best and has its raciest flavour
when most deeply hidden. Hopiter, and Venus and Mercury, and the Lares
or ancestral spirits, and in the cities are women who prepare strange
amulets, over which they mutter spells, all known in the old Roman time,
and who can astonish even the learned by their legends of Latin gods,
mingled with lore which may be found in CATO or THEOCRITUS.  With one of
these I became intimately acquainted in 1886, and have ever since employed
her specially to collect among her sisters of the hidden spell in many
places all the traditions of the olden time known to them.  It is true
that I have drawn from other sources, but this woman by long practice has
perfectly learned what few understand, or just what I want, and how to
    Among other strange relics, she succeeded, after many years, in
obtaining the following "Gospel", which I have in her handwriting.
A full account of its nature with many details will be found in an
Appendix.  I do not know definitely whether my informant derived a part
of these traditions from written sources or oral narration, but believe
it was chiefly the latter.  However, there are a few wizards who copy or
preserve documents relative to their art.  I have not seen my collector
since the "Gospel" was sent to me.  I hope at some future time to be
    For brief explanation I may say the witchcraft is known to its
votaries as la vecchia religione, or the old religion, of which DIANA
is the Goddess, her daughter Aradia (or Herodius) the female Messiah,
and that this little work sets forth how the latter was born, came down
to earth, established witches and witchcraft, and then returned to heaven.
With it are given the ceremonies and invocations or incantations to be
addressed to Diana and Aradia, the exorcism of Cain, and the spells of
the holy-stone, rue, and verbena, constituting, as the text declares,
the regular church-service, so to speak, which is to be chanted or
There are also included the very curious incantations or benedictions
of the honey, meal, and salt, or cakes of the witch-supper, which is
curiously classical, and evidently a relic of the Roman Mysteries.
    The work could have been extended ad infinitum by adding to it the
ceremonies and incantations which actually form a part of the Scripture
of Witchcraft, but as these are nearly all - or at least in great number -
to be found in my works entitled Etruscan-Roman Remains and Legends of
Florence, I have hesitated to compile such a volume before ascertaining
whether there is a sufficiently large ... more

lonely mountain

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