In Love With Faustina


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in love with faustina Fifth Business




There are many different paths people can take throughout their lives.  In the novel,  Fifth Business by Robertson Davies, the main character, Dunstan Ramsey, takes the path of the Canadian hero.  There are many different steps to be taken by the hero and Dunstan Ramsey follows his path by completing each step.
Dunstan’s journey begins when he gets his call for adventure.  The call for adventure lets the hero know that his or her life is about to change.  Dunstan’s call for adventure comes when he leaves for Europe for the second time to search for the little Madonna.  The little Madonna was what called him to come back to Europe.  
The little Madonna was a bee in my bonnet; I wanted
to see her again, and quite unreasonably (like a man I
knew who lost a treasured walking -stick in the London
Blitz and still looks hopefully in every curiosity shop in
case it might turn up) I kept hoping to find her. (123)
Dunstan had to leave the life he was living in order to begin his journey. Even though he  knew he might never find the little Madonna again, he had to keep looking.  It is while searching that Dunstan’s journey
While searching for the little Madonna, Dunstan reaches the second part of his journey, which is the underworld.  The underworld is a part of the journey which Dunstan will not be able to complete alone.  When he meets with Paul, who is now known as Faustus Legrand, Dunstan realizes that Paul had stolen his pocket-book.  “Because somebody at Le grand Cirque forain de St. Vite had stolen my pocket-book, and everything pointed to Paul.”(148) It is at that this time that Dunstan realizes, whether consciously or subconsciously, that he is going to need help to get through this stage of his journey.  Then he meets Liesl.
Liesl’s role in Dunstan’s journey begins when Dunstan arrives to see Paul’s magic show.  Liesl invites Dunstan to come have lunch with her and Paul.  It is because of her insistence that Paul and Dunstan become friends that Paul is compelled to repay Dunstan the money he stole.
That night when I was making my usual prudent
Canadian Scots count, I found that several bills had
found their way into my wallet, slightly but not
embarrassingly exceeding the sum that had disappeared
from it when last I met with Paul.  I began to think better
When Paul repays Dunstan, Dunstan realizes he can now trust Paul.  With the help of Liesl, Dunstan has made a friend with a member of the underworld.  These two people will help Dunstan to continue on with his journey.
The next step of Dunstan’s journey is to completely leave his life behind and begin a brand new one.  He enters into a new world.  This occurs when Dunstan “became a member of Magnus Eisengrim’s entourage.” (207) He begins to travel with Magnus because he still wants adventure and he knows that it does not occur often.  He says:  “This looked liked an adventure, and, at fifty, adventures do not come every day.” (211)  Dunstan’s journey is based on adventure.  He does not know what he is getting into by joining Magnus Eisengrim’s entourage.  There will be something different each day; something new and surprising.  By entering a new world, Dunstan is completing one more step of his journey.
Dunstan has now reached the point in his journey where he realizes he is completely abandoning his old world.  This is the lowest point in his journey.  Dunstan realizes that he is changing.
The day I found myself slapping one of the showgirls on
the bottom and winking when she made her ritual protest,
I knew that something was terribly wrong with Dunstan
Two things that were wrong I could easily identify:
I had become a dangerously indiscreet talker, and I was
in love with the beautiful Faustina. (215)
Dunstan understands that he is different than he used to be.  When he was younger he did not gossip and he never betrayed anybody’s confidence.  Now, those things do not seem important to him anymore.  It is at this point in his journey that Dunstan has completely left his old world behind.
Dunstan has now reached the final stage of his journey.  He has traveled ... more

in love with faustina

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George Handel

The Artistry of G.F.Handel
(1685-1759)
First Part

Halle - Hamburg - Rome 1690-1712
It's hard today to speak about Handel's life and works without mentioning the similarities between him and Bach; first of all they were born in the same year:1685, even if it's not a case than the most geniuses of the late baroque era (Couperin, Telemann Scarlatti ) would have almost been all co-aged.Neverhless unlike Bach, Handel immortalised the name of a family of cheesemakers or of the Prince of Saxony's barber/surgeon -his father. And really it was under the influence and the strong expectations of the latter that like many other aspirants gentlemen, the young Haendel enrolled the university of Halle as a law student. But after his father death he decided not to pursue the legal career and began instead to perfection those skills as a musician which some three years of lessons taken in his hometown from the reknown organ player Wilhelm Zachau had awakened in him
When in 1703 Haendel eventually left Halle and went to Hamburg as a violino in ripeno (an ordinary violin player in an orchestra) his bad talent as a lawyer and good skills as an artist, both characterizing every sudden and proverbial decision taken by him in the future were both proved.
At those times Hamburg, the mercantile capital city of Northern Germany, was well known also for its Gansenmarkt Thater (literally: 'Theatre at the goose market'), which workers were yet trying to create the millenary dream in advance of Goethe by combining Italian creativity with German methodology. And what better even if "oleographic" example can be brought to this aim if not the librettos of the operas represented at the Gansenmarkt Theater between 1700 and 1720 ehich appear to be written in German with the execption of the Italian "belcanto" arias. A Ture master in this mixed and eclectic genre, neglecting the lutheran poetry (preferred by Bach) in favour of the Italian an Viennese writers (Zeno, Pariati, Pasquini etc.) was Reinhard Keiser who, naturally, claimed to be the master to all the new-comers, including Haendel who far from accepting this rule, successfully sought the friendship and maecenatism by Gian Gastone de Medici (1671- 1737) , son of the Grand Duke of Tuscany: Cosimo III. And in what it seems it was in this environment that The young Haendel met Johann Mattheson, the most reknowned and inspired musical critic of his time as well as the finest connoisseur of Telemann's music . Also the Hamburghese poet Johannes Brockes , whose twxt in the next 1704 Haendel would have transcribed into the beautiful music of his "Brockes Passion" appeared to have been introduced to him by Mattheson. So after this debout Haendel did not have to wait long for operatic success at the Gansenmarkt. since yet in 1705, he directed there "Nero" and "Almira", the latter being intentionally and mischievously based above the same libretto on which in during those weeks Keiser too was said to be working..... As if that wasn't enough, before leaving Hamburg for his first Italienreise (which Bach never did), Handel composed two more operas: "Florindo" and "Daphne"and reached in outshining Keiser on his own territory but he had to leave under the motivation of an Italienreise which Bach never did. Gastone de Medici was waiting for him at Florence where Haendel first successful "Italian" opera: "Rodrigo" was staged. The master neverthless meant to travel in Rome where as guest of Corelli's sponsors, Cardinals Pamhilii and Ottoboni, he represented his first oratorios: "Il Trionfo del Tempo e del Disinganno" (lately re-represented in London as "The Triumph of Time and Truth") and "La Resurrezione" played during the Easter of 1708 in the church of San Giovanni in Laterano in Rome. there according to his biographers Haendel also improvised at the organ some of those Concertos which had to be lately included in his Opus IV and VIII. The greatest success ever, "il Sassone"as Haendel would have nciknamed by the Italian opera fans He had to achieve it 120 miles south of Rome, at Naples where the successful 27 replicas of his new opera: "Agrippina" made him to fully "graduate" as an operist. Really Haendel had to be numbered among the most ... more

in love with faustina

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  • George F. Handel George F. Handel George F. Handel George F. Handel The Artistry of G.F.Handel (1685-1759) First Part Halle - Hamburg - Rome 1690-1712 It's hard today to speak about Handel's life and works without mentioning the similarities between him and Bach; first of all they were born in the same year:1685, even if it's not a case than the most geniuses of the late baroque era (Couperin, Telemann Scarlatti ) would have almost been all co-aged.Neverhless unlike Bach, Handel immortalised the name of a family of cheesemakers ...