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dancing girls power of words

The Power of Words


Silvana Paternostro describes the difficult life of women in Cuba.  For an audience of mostly women, her emotional tone and simplistic style lets the reader get a feel of what these poor young women are going through in the October 2002 issue of Glamour Magazine.
Paternostro explains the hardships that these women endure though out their lives.  The only way to make a descent living in the country is to become a cabaret dancer or prostitution.  She writes of their only two options with such emotion.  The reader can truly feel their struggle.  When the reader sees their pay (fifteen dollars) a month, it showers them with disbelief.  One truly cannot fathom this idea.  She speaks of the emotional break downs and discouragement.  Directors that pinch their fat, make them feel un-pretty and lower their self esteem as well as shatter their dreams when their told they are not good enough.  The authors detailed description        
Paternostros emotional tone makes well with women readers.  It is something that women can relate to more readily.  Through out the article, the author throws out descriptive terms that play emotionally on women.  
For example, Paternostro speaks about cabaret dancers being the only means of making money.  Unless of course, they would rather sell their bodies.  When she says money making option, this means fifteen American dollars a month.  To truly think that this is what can be spent in seconds here and only lasts a month there- is astonishing.  It really makes the reader realize how blessed they are.  Although things can be tough, it can always be worse.  She also makes the reader realize other things that are taken for granted.  For example, here in America, people change careers and start their lives over at the age of fifty.  This is clearly not an option in Cuba.  Through the use of descriptive sentences the author gives a detailed description of the qualifications to become a dancer.
Paternostro states to qualify as a dancer, girls must be younger than twenty one and at least 54, to be a dancing model, she must be at least 58.  They must posses grace, beauty and rhythm musically.
Clearly this is a detailed description of the attributes dancers must possess.  It also tells of the young age girls must be to qualify.  At such a young age, the dreams and hopes of these girls can be shattered in the blink of the eye.  Cuban girls dreams are over, while an Americans is just beginning.  If the reader looks deeply, this line possess emotional as well.
Other details of many readers take for granted are things the author describes as luxuries others could only dream of- such as cell phones, trendy clothes and other unthinkable luxuries. The author uses descriptive words to describe what many of these girls will only dream of in their life.
Paternostros simplistic style is not complex.  The article does not contain complex words.  There are no difficult meanings.  The author is straight to the point using short sentence structure.
In addition to her simplistic structure, the author showers the article with emotional tone.  These two things go well together.  Paternostro clearly describes the emotions of the dancers.  Women can easily relate to this.  They can relate to the anxiety of standing before an authorative and not feeling good enough.  She states Maria nervously stands before the schools artistic directorthis is her one chance to shine.  One can feel truly feel for Maria.  The feeling that this is it, it is now or never and Ive only got one shot.  The yearning to be successful is an emotion anyone can relate to.  
It is in this emotion where the line stating where the peso is worthless, it is not stardom they seek- its survival truly comes into play.   It is in this line that shows style and tone together as one.  This simple statement is straight to the point yet sheds emotion at the same time.  When speaking of young adolescents, barely reaching womanhood struggling to survive one can truly feel its emotional impact.
To add on to the emotional impact, women can sympathize with the authors choice of words; they feel the embarrassment and ... more

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the sun also rises

Summary and Analysis of Epigraph and Chapters 1-4
The Epigraph:
Hemingway prefaces the novel with two quotes, one by Gertrude Stein, painter, poet, and social center of the American expatriates in 1920s Paris, and one by Ecclesiastes from the Bible. Stein's quote proclaims that Hemingway's is a "lost generation." Her title stuck and has since defined the moral, emotional, and physical emptiness of the young post-WWI generation, devastated by war and aimlessly seeking comfort in the superficial, hedonistic atmosphere of the 1920s. The quote from Ecclesiastes compares the permanence of the earth to the transience of men; Hemingway altered the words "'The sun also riseth'" for his novel's title. In one sense, the words of Ecclesiastes are an optimistic antidote to Stein's pessimism; though Hemingway's generation may be "lost," soon mankind will find himself again ("'One generation passeth away, and another generation commeth'"). On another level, the quote embraces the rejuvenation nature offers. This promise of natural rejuvenation will play an important role in the novel.
Chapter I:
The narrator, Jake Barnes, describes Robert Cohn, who was the middleweight boxing champion of Princeton. Cohn took up boxing, though he disliked it, to compensate for the inferiority complex he developed as a Jew at Princeton. Cohn's nose was flattened while boxing, and Jake says no one he knows from Cohn's class remembers Cohn. From one of New York's richest, most prominent Jewish families, Cohn emerged from Princeton with low self-esteem, had an unsuccessful marriage, and lost most of his inheritance.
Cohn moved to California and edited and backed an arts magazine until it folded. A woman, Frances, who had been using Cohn for his rising status, moved with him to Paris so he could write a novel. There, Cohn became friends with Braddocks, his "literary" friend, and Jake, his "tennis" friend. Frances, wanting to marry Cohn, kept him on a short leash.
Analysis
Cohn's time in Princeton is almost an allegory of a young soldier's going off to war: his early dreams of glory are quickly shattered, his body is physically changed (the flattened nose), and he leaves embittered. He is quickly exploited by two women, the first instance of the theme of manipulative sexuality that Hemingway will explore in greater depth.
We are also introduced into a social world of little responsibility -- Jake's crowd travels and drinks freely, Jake refers to himself as Cohn's "tennis" friend, and money is taken care of by rich relatives (Cohn is given an allowance by his mother).
Hemingway also deploys his influential style of spare, unadorned prose to good effect here; in giving a run-down of Cohn's character, Jake reveals himself as a quasi-reporter (indeed, he works for the newspaper, though not as a reporter, and Hemingway himself was a former journalist) who does not reveal much about himself. Jake doesn't even tell the reader his name -- we only find out when another character calls him by his first name -- or about his job, but lets you in on both his factual and emotional life through others.
For instance, Jake is somewhat sympathetic to the abuse and exploitation heaped on Cohn, and we intuit that Jake, too, must harbor similar feelings of inferiority. Though we know little about Jake's relationship with him so far, we will see that Jake is similar in some ways -- Cohn's flattened nose, for instance, foreshadows a less visible impairment Jake has (for Cohn, however, Jake maintains that the flattened nose has improved his appearance).
Chapter II:
Jake recounts how Cohn left for America, sold his book to a good publisher who praised his efforts, had several affairs, and returned to Paris arrogant and rude. He strove to emulate W.H. Hudson's book, "The Purple Land," in which an Englishman has numerous romantic adventures.
One day, Cohn interrupts Jake in his newspaper office and proposes that they travel to South America, at Cohn's expense. Jake doesn't want to, but Cohn feels his life is slipping by him. Jake invites him to have a drink, since he knows he will be able to get rid of Cohn after one drink. At a caf, Cohn expresses anxiety that their lives are half-over; Jake says he doesn't worry about death. ... more

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